As with all features in After Effects, almost every parameter can be animated. You can click on a composition with the type tool and start typing directly into a new layer, or you can drag a box to define a text block’s boundaries. Type-creation tools in version 6.0 are like those in Illustrator they even give you control over kerning and other spacing. In previous versions, text creation and animation were appallingly poor, considering Adobe’s prowess in the typography world. The new type engine alone makes After Effects 6.0 a successful upgrade.
#AFTER EFFECTS KEYLIGHT 1.2 BRUSH PROFESSIONAL#
As you’ll see, you get a lot more in the Professional edition. The Professional edition, which we reviewed, has gone from $1,499 to $999, while the Standard edition’s price has gone up, from $649 to $699. And best of all, its new system for handling type finally gives After Effects titling and text-animation capabilities that rival those of and Photoshop.Īdobe has lowered the price of the top-end version of After Effects. This version addresses some important limitations in earlier versions, introduces vector-based painting, works with other Adobe applications in a number of productivity-boosting ways, and implements OpenGL standards to greatly accelerate the display of 3-D effects (see for a list of supported features for different graphics cards). And it worked with other Adobe programs only on a rudimentary level.
#AFTER EFFECTS KEYLIGHT 1.2 BRUSH UPGRADE#
And version 6.0 is the most important upgrade we’ve seen to After Effects in many years.ĭespite its sophisticated masking techniques, versatile effects, and well-designed tool palettes, After Effects has been limited for some animation and compositing tasks, such as rotoscoping (painting on live-action frames), creating animated titles, and working with 3-D effects. Adobe After Effects is an all-in-one animation, compositing, and postprocessing tool kit that has long been deservedly popular with multimedia professionals, videographers, and filmmakers.
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